Saturday, January 25, 2020

Images and Imagery in Shakespeares Macbeth :: GCSE English Literature Coursework

Imagery consists of the use of symbols to convey an idea or to create a specific atmosphere. Shakespeare uses imagery in Macbeth often; pathetic fallacy, blood, tailoring and sleep are examples of this. His use of these tools in the play is to demonstrate the sadness of Scotland at what has been done, the guilt of the characters and to symbolises premonition of events. Pathetic fallacy is a tool of imagery that is used in Macbeth to convey nature's response to the unnatural events that occur. Most of the scenes in which some kind of ill-doing is taking place is set at night or in darkness of some kind. Macbeth's murder of Duncan happens at night, and it triggers a response of outrage and grief in the land. Nature's troubled actions show us this; as Lennox tells Macbeth just before Duncan is found dead, "The night has been unruly; where we lay, or chimneys were blown down ... lamentings head i' the air ... some say the ear was feverous and did shake." (II (iii) L59) Another good example of imagery used is blood. It is used to convey guilt, murder, betrayal, treachery and evil. Macbeth, directly after his murder of Duncan, is concerned about the blood on his hands , and states that no amount of water will wash the blood away, signifying the guilt in his heart. Lady Macbeth, however, states "A little water cleans us of this deed" (II (ii) L97). It is ironic that later on in the play Lady Macbeth sleepwalks and dry-washes her hands, ands says "What! Will these hands ne'er be clean?" (V (i) L38) -- guilt at what she has done surfaces in her sleep where none was felt before, and the reverse is true for Macbeth. The use of tailoring to convey the idea that something is not suited or not belonging to someone that has been acquired by them is used often in Macbeth. Macbeth himself uses the tailoring image in saying "The Thane of Cawdor lives: why do you dress me in borrow'd robes?" (I (ii) L109) when told by Ross that Duncan has given him the title Thane of Cawdor. This gives the impression that his newly acquired title does not fit him -- much like a garment belonging to another person. Angus states, "Now does he feel his title Hang loose about him, like a giant's robe

Friday, January 17, 2020

Party influence in Congress Essay

The decline of party strength and influence began in the 19th century, partly due to the growth of the federal government under FDR whose ‘New Deal’ establishment served to undermine traditional social functions once carried out by party machines, thus weakening party loyalty. In the 1960’s and 1970s new issues such as civil rights, feminism, environmentalism and consumer rights arose to challenge traditional voting habits. These issues did not divide neatly along party lines and more voters indulged in â€Å"ticket-splitting† (voting for different parties in different elections). Partly in response to these trends, the parties themselves began to question their own policies and challenge their leaders. In Congress, reforms democratized or ‘opened up’ selection procedures to broader participation. Senior members found themselves surrendering committee chairmanships to unknown newcomers. Whips found it harder to enforce party discipline and junior members increasingly pursued their own personal projects to gain media attention and impress their constituency voters. Congress members have much to gain, in publicity and in tangible rewards (grants for their constituencies) from unpredictable behavior. The effect upon presidential influence in Congress has been destructive. President Carter struggled to pass bills through a House and Senate controlled by his own party. President Reagan’s early successes were largely due to Democrat ‘Boll Weevil’ defections. President Clinton has likewise been unable to rely upon solid party support, particularly for his anti-crime legislation and Healthcare Reform bill. Congress has been split by the new individualism of its members. The rise of the primary in presidential selection was another method used to ‘open up’ the political system and weaken party influence. Primaries allow voters a direct say in the choice of the party’s standard bearer in the presidential election. However, they enable candidates to hijack the party nomination for president by assembling teams of consultants, lawyers, financiers and media advisers, many of whom have no party affiliation and no loyalty or goal beyond the victory of their chosen leader. The victorious candidates sometimes lack any experience of government at the national  level. Modern presidents, facing a fragmented Congress, aggressive pressure groups and a skeptical media, cannot afford the luxury of limited experience. Unfortunately, the modern election system tends to favor those candidates who are effective campaigners rather than those who may be effective administrators. Given these difficulties, it is not surprising that recent Presidents have appeared to struggle. The cement of practical experience, party loyalty and common cause is too often thin or nonexistent at both ends.

Wednesday, January 8, 2020

Comparison Art History Formal Analysis Essay - 868 Words

1. Cimabue Virgin and Child Enthroned 2. Giotto Virgin and Child Enthroned The Giotto and Cimabue are obviously different versions of the Virgin and Child Enthroned. But because they are different versions they have their differences. When i first look at the Cimabue piece the first thing i focus my eyes on is the sweet, tender, loving face the Virgin has on her warm yellow face. Her eyes are looking outward towards the audience which i feel helps you feel like you are part of the enthroning. Giotto depicted the Virgins face with a little bit more of a stern look to it. Its not as soft as the one in Giotto. Also the colors are much more cooler so when i look at Giottos piece i look at the creamy colors like her shirt first instead of†¦show more content†¦At the bottom he has two more angels looking up instead of the four men. Giotto might of thought that these angels were more important for the virgin than the men holding scripts. 1. Rogier Van der Weyden Deposition 2. Pontormo Entombment The Weyden and Pontormo paintings both are trying to depict a similar story in different styles. In Weydens piece the first thing you notice different from the Pontormo is the colors. In Weydens piece the colors pop right out you since he used harsh bright colors for their clothing. Unlike Pontormo where he used very soft angelic colors like the pink and light blue and peachy colors. My eyes are attracted to the Weyden more than Pontormo even if its older because it looks so much more realistic than Pontormo. The drapery in Weydens piece is very realistic as it falls on the bodies of each human standing or falling. The shadows of the drape make them look real as if you can pick them up directly from the painting. In Pontormo the drapery is more of a flowing feel to it. You can tell where it sits but it isnt as realistic and looks as if they were angels helping God up. In the Weyden piece the emotions are very upfront. They seem very upset at the sight of God sacrifice. There is a women who looks as she has fainted and two people caught her ash she fell. Her arm is almost in the same angle as Gods arm is as they bring him down. This might have been purposely done to somehow symbolize that theyShow MoreRelatedArt History Formal Analysis - Comparison1659 Words   |  7 PagesFormal Analysis Paper The pieces Ann Whitley Russell, done by an unknown artist in around 1820 and Lady Frances Knowles, also done by an unknown artist, in the mid-late 17th century are both examples of portraits that portray the sitters in diverse yet insightful ways to viewers. Both Ann Whitley Russell and Lady Frances Knowles are works of art composed of oil paint on canvas. Although these portraits are different, the aspects of space, color, and composition are all important elements thatRead MoreGertrude Stein By Pablo Picasso And The Toilet Of Venus898 Words   |  4 PagesThis formal art analysis will compare and contrast the line, color, light, and composition of Gertrude Stein by Pablo Picasso and â€Å"The Toilet Of Venus by Francois Boucher. The formal qualities of these paintings provide a classically orientated approach to the individual subject, which provide similar methods of composition and line. However, Picasso tends to chose earthy color tones in contrast to the brightly colored imag e provided by Boucher of Madame de Pompadour. More so, Boucher providesRead MoreFormal and Ekphrasis Analysis Of The palette of King Narme Essay835 Words   |  4 Pages The palette of King Narmer: Formal Analysis The Palette of King Narmer is a very small, flat 64 centimeters tall, shield shape palette that is believed to be used for holy ceremonies. Sculpt from smooth leveled siltstone. The siltstone is a soft yet dim color of gray. Small in scale, the palette is created with numerous intriguingly beautifully detailed carvings, and illustrations that fully decorate both sides. These detailed carvings take up most of the negative spaceRead MoreReader, Readability And Relativity In The Criticism Of Propp, Barthes, And Fish Literary Analysis1095 Words   |  5 Pagesworld of literary criticism, where the approach to the text and the level of reader inclusion varies based upon the school a critic identifies with in his endeavor and/or the individual reader may happen to take most interest in the act of literary analysis. While the Socratic-like formalistic approach of Vladimir Propp, the lavish laymen s poetic deconstruction of Roland Barthes, and the interpretative communal focus of Stanley Fish maintain both deviations and normative standards, all present bothRead Mor eHow to Construct Research Question1149 Words   |  5 Pagesthe published assessment criteria. Essays that focus on events of the last 10 years are not acceptable, as these are regarded as current affairs, not history. It is not a requirement for the topic to be chosen from the Diploma Programme history course, but it must be acceptable to the supervisor. It should provide an opportunity for critical analysis of source material, and not depend on summarizing general secondary sources (such as textbooks and encyclopedias), as this approach is likely to leadRead MoreANALYSIS OF ANGELICA KAUFFMAN ‘TELEMACHUS ON HIS RETURN TO HIS MOTHER’ 1770-1780 OIL ON CANVAS 1325 Words   |  6 PagesEngland’s John Locke who advanced the concept of â€Å"empiricism†. This denotes that accepting knowledge of matters of fact descends from experience and personal involvement1. Locke’s concept assisted the improvements of microscopes and telescopes allowing art students in the French academy to observe real life1. Science and experience influenced painting more so in Neo-Classicalism. Locke fought for people’s rights and the power or â€Å"contract† between the ruler and the ruled. Reasoning that â€Å"the Light inRead MoreGordon Walters : Modernism, Biculturalism, And Cultural Appropriation1681 Words   |  7 PagesModernist European art practices. To understand Walters’ intent regarding the utilization of this motif, one must first understand the different artistic sources informing the artist, and the implications of those sources and artistic styles. Through this examination, an understanding can be garnered regarding the element of cultural appropriation within Walters’ work. Walters’ work exists today within the contexts of a bicultural New Zealand society. His works draw upon themes from Maori art as well asRead MoreThe Blessed Lodovica Albertoni ( Fig )1639 Words   |  7 PagesThe definition of artworks and the labelling of them as objects of a distinguished style of their time can be helpful to maintain an organised view of the history of art. However, defining a piece, or an artist, as belonging uniquely to a certain style reduce the possibilities of a different reading of them. To illustrate this point, I will comment the Blessed Lodovica Albertoni (fig.1), a sculpture of the 17th Century by Gian Lorenzo Bernini, focusing on the approach of Rudolf Wittkower (1901-71)Read MoreMy Experience At The Museum Service Of Fifty Visitors821 Words   |  4 Pageslocalities of Croydon. Anat Hecht also established lasting relationships with fifteen staff informants, with librarians, security staff, cleaners, as well as museums’ front and back ga llery professionals. These two different groups of informants and the comparison of what they say and do helped the researcher to understand and deepen her studied subject. Anat Hecht confessed her difficulties in establishing rapport with her respondents. The reason for it was that the first contact was made in the museum settingRead MoreBarnaba da Modenas The Virgin and Child: Analysis1166 Words   |  5 Pagesï » ¿The present work is focused on undertaking an in-depth analysis of two famous religious paintings: The Virgin and Child by Barnaba da Modena, an Italian painter from the fourteenth century, and The Elevation of the Cross by Peter Paul Rubens, a seventeenth century Flemish artist and diplomat. Following, by comparison, a thorough account of the two works features, careful observation reveals more than one interpretation. The Virgin and Child was created by Barnaba da Modena in 1360, and is deemed